The work has been specially prepared to participate in the national contest of pictorial art, organized by the biennial Manini prefabricated "Libera l'arte" fourth edition 2011 in Assisi.
The size of the canvas are cm.60xcm.70, while the wooden frame lacquered in gold cm.80xcm.90 the same extent.
In this work I wanted to represent the set of volumes through a breakdown of architectural elements, as a moment of reflection, although ideally starting from the architectural composition of classical studies from which to start. The work expresses harmony and proportion in which you can identify volumes that can be traced back to design objects or buildings. A three-dimensional view of architectural space that expands and collapses almost naturally. The composition so decomposed, highlights the ability to control the volumes that are molded into space in a complex that is able to discover previously unknown corners and spaces. The single volume, which was first grade, now is deformed in three dimensional space through thought to fantastic places but not far from us. The color used as the gold fund is to express the great value of volumes expressed in the work, while the shades of gray, characterize the plasticity of the enhanced decomposition of traces of lines made by the China metal pen, an instrument which is discussed in Roman times.
The lines, as well as to clarify the elements of decomposition are the vanishing of the same elements so that the viewer can continue to watch over the volumes represented. The color green represents all the colors are not represented in this work, an elegant dissonance.
The reading of this work may be made by each side because it does not have to. In fact, every corner of the picture, shows the signature in the corresponding view, as well as in devices designed for anchoring to the wall, the same can be anchored to the ceiling like a precious work.